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This course aims to increase knowledge of and insight into current discourse of corporeal literacy, as well as into the strategic potential of the term. The course trains skills in critical reading of media, art and performance objects.
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In this course, we will focus on movement and gesture as aspects of how we are corporeally literate that have for a long time been neglected in accounts of embodied meaning making but are currently gaining more prominence as the result of technological developments (movement becoming more and more part of what can be detected and shared by media as well as of ways of using media and interacting with them) and also the emergence of embodied, embedded and enactive understandings of perception and cognition. During the meetings we will discuss a panorama of historical and contemporary approaches to movement and gesture in relation to questions of (among others) affect, emotion, experience, spatiality, and memory. Students are invited to explore the potential of these readings for the analysis of encounters with objects, events and situations of different kinds.
Career orientation:
The course trains skills in critical reading and analysis of media, art and performance objects and allows students to develop rhetorical argumentation, which can be applied to a variety of professional fields (cultural institutions, academia, education, etc.)
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